Kathleen Edwards, a 26-year-old Canadian singer-songwriter whose 2003 debut Failer started as an indie project recorded with friends in the Ottawa music scene. "No Depression" said the album marked "the arrival of a rare talent." Febuary sees the arrival of Kathleen Edwards in Australia for a quick tour of 4 engagements ...which doesn't include Adelaide. Maybe next time. In the mean time SA Roots and Blues was able to catch up with Kathleen Edwards and ask her a few things about her music.

The 2005 SAMI Awards

The SA Music Industry Awards recognise local talent in a range of categories, from genres to instruments, tech crews to media support. There are 15 public voted categories, and another 21 categories voted only by AWESAM industry members. The 2005 SAMI "SA Musicians Union Award" winner for "Most Outstanding Instrumentalist" went to Heather Frahn. She plays baritone and lap slide acoustic guitars, irish bouzouki, stomp box with foot percussion, double bass, mandola, djembe drum ...and is not afraid to utilise computer technology in her music making. Apart from all of that she has a wonderful voice and a good eye for "Graphic Design"! Catch up with Heather online at:
http://www.heatherfrahn.com/
Fri 14th Oct The Gov'
Kiss My Grass! Hillbilly Tribute To Mountain Love! AC/DC Bluegrass!
What the hell is this Hayseed Dixie thing all about?
“ I’ve always said there’s more one way to do a song”
Martin Jones catches up with PaulKelly at EMI offices and asks about the new bluegrass-influenced album "Foggy Highway".
...but is it Bluegrass? Don reviews:
Paul Kelly & The Stormwaterboys " Foggy Highway"
Six years after recording his first Bluegrass album, Smoke, with Melbourne-based Uncle Bill, Paul Kelly has returned to the genre.
LETTER FROM PAUL KELLY
" Maths And Moles"
Terrance Simien "The Tribute Sessions"
A tribute to his zydeco mentors and masters. Part of the Louisiana Music Series from AIM.
If this doesn't get you jumpin' then maybe these will!
Lyn August "Creole people"
Nawlins Never Speaks "Modern Sounds of Loiusiana"
" WAYWARD" WITH CORRINA STEELE!
SA Roots 'n Blues
catches up with Corrina Steele and asks her about her enthralling debut album.
Mesmerising wail from an Ozmapolitan Appalachian!
A beautiful, perfectly formed exotic orchid of a performer just appears out of the blue! Lone Tony Joe's CD Review
" COME ON IN MY KITCHEN!"
Cyndi Boste's " Scrambled Eggs"
... tap into one of the richest veins of contemporary Australian Roots Music.
The Yearlings
New CD " Wind already blown" out now!
Purchase online at http://lastrecordstore.com
Lone Tony Joe's CD Review
" FORGET FERLINGHETTI! SCRAP KEROUAC!"
Penelope Swales' " Monkey Comfort"
The cover won me over immediately. The lyrics overwhelmed me. This CD is a saga.


Tiffany Eckhardt
Saturday 29th September
SA Folk Centre
supported by Tammy-Lee and Candy
A little bit country, a lot of good music from an award-winning performer. Saturday 29th September Doors open 7.30pm, 8pm start $15/$12 concession and members
Bob the Punter's Top CDs and DVDs
MY TOP 5 CDs
1. Kev Carmody. Cannot buy my soul
2. Neil Young. Live at Massey Hall. 1971.
3. JJ Grey and Mofro. Country Ghetto.
4. The Mammals. Departure.
5. Patti Griffin. Children running through.

MY TOP DVD
Asleep at the wheel. Live at Austin Texas.

*
Bob the Punter gets his "Imports" from Michael Bonython at BLUEBEAT RECORDS ( 109 Hindley St. Adelaide)

THE FAR CHART

compiled from reports sent in by actual DJs with freeform (i.e. no play lists) radio shows on public, college and community stations round the country (and world).
John Conquest of 3rd COAST MUSIC

Radio Airplay Charts:
Roots Blues Chart
Roots Country Chart
Folk

TOP 40 AMERICANA AIRPLAY LIST
Weekly play counts of 70 radio stations. This chart is an album-based chart for new releases of roots music.

Buckwheat Zydeco
, the Bayou’s barnstorming bandleader is back with his first studio disc in eight years.

"A RICH ROOTS REPOSITORY"

Colin Linden, Sad and Beautiful World: 1975-1999.
This record is a 25 year retrospective of his work. It offers the listener an opportunity to delve into the music of one of Canada's finest roots musicians.
" SNEAKIN IN THE BACK DOOR"
The Late Bloomers offer beautiful acoustic guitar duos as well as some rich ballads.

" A VOICE FROM THE LAND OF GHOSTS!"

Lone Tony Joe reviews Jolie Holland's " Escondida".
" SHOVE THOSE MIDRIFF SINGERS ASIDE!"
Lone Tony Joe reviews Jen Kraatz's " Ashes"
HARPER GETS" DOWN TO THE RHYTHM"!
SA Roots and Blues chats with Harper on the verge of his Womadelaide 2005 appearance.
COW  :  "COW"  
cow
An Australian band that can perfectly locate their stories & music half a world away.   Cow captures a rootsy, Americana-folk cosmos better than many born to it.  Moonshiners, shotgun shacks, colt 45s, daddy’s old ford, the county sheriff, outlaws junkies, ranchers & vets, are the cast of their classic smalltown ‘heartland’.  The songs have reflective, worldly wise narratives  drawing you into these lives as if they lived around the corner .  Rich Coldwell’s voice creates a feel so genuine you truly believe he inhabits that world, yet this is a Adelaide band.
Cow
Cow immediately registers as a stylish, seamlessly melded group of very skilled players. They are blessed with velvety smooth production.  While the overall blend is near perfect you will still find yourself picking out & floating along with single instrument flourishes.   Sinuous harmonica winds around chiming guitar.   Subtle touches of accordion dance in the background.  Verbal hooks that make you want to start the song over again to check out who & why ‘barefoot in july’ .  Background harmonies to die for…  “ Don’t Cry Now”.
COW are a class act and an unexpected local treasure in their genre.  Now , how do we get the message out to the other hemisphere that has a huge audience ready for this.
Lone Tony Joe.

Hank Williams' Mentor Lies In Unmarked Grave
In Oakwood Cemetery in Montgomery, Alabama, signs direct the faithful and the curious to the burial site of Hank Williams, a monument that includes depictions of his hat and boots. A few miles away, off the tourist trail, the man who taught Hank to play the guitar lies in an obscure grave.
A nine-foot-tall, white marble stone at the entrance to Lincoln Cemetery announces that Rufus "Tee-Tot" Payne is buried somewhere in the cemetery, and among the crowded headstones, some of which are overturned, a historical marker marks the general area. The exact location is still unknown.
Tee-Tot was a black street performer who taught the young Williams to play the guitar in the 1930s. An unmarked grave may have suited Tee-Tot just fine, though. Leona Simmons, hostess at the Hank Williams Museum in Georgiana, said that Tee-Tot was a very private person. "He didn't like to have his picture taken," she said. "He was a performer, but he was also very private."
Tee-Tot went to the Williams' home and sat outside with Williams to give him lessons, she said, usually out of sight under the front porch. "Whites didn't follow blacks around then," Simmons said. "It just wasn't done. That's why they ended up under the house. He was hiding out." Williams' mother gave Tee-Tot food as payment, according to the Alabama Department of Archives and History.
Though his nickname may have been derived from "teetotaler," he was known to carry a flask of alcohol mixed with tea. He played mostly in Georgiana and nearby Greenville. "They say that old guy was good," Simmons said. "He told Hank to always keep the crowd's attention. When they start to slip, you're in trouble." In 1937, Tee-Tot moved to Montgomery at Williams' suggestion, and died two years later in a charity hospital at age 55.
Unaware of his mentor's death, Williams searched for Tee-Tot when playing a concert in Greenville ten years later, Simmons said. "It was time to pay him back," she said. The general area of the grave was located in 1999 by Alive Harp, a University of Alabama student, and money was raised to erect a marker.
courtesy of: Twangtown

Survivor Jerry Lee Lewis Releases New Album:
A new album by Jerry Lee Lewis will be released in September. Its title, Last Man Standing, refers to his being the last survivor from Sun Records’ "Million Dollar Quartet," Elvis Presley, Johnny Cash, and Carl Perkins having all passed away. Last Man Standing, five years in the making, consists of duets with 22 of the biggest names in music, including Willie Nelson, Toby Keith, John Fogerty, B.B. King, Bruce Springsteen, Mick Jagger, Keith Richards, Eric Clapton, Neil Young, Ringo Starr, Rod Stewart, and Kris Kristofferson.

Billy Bragg Takes On" MySpace" Website
Political Folkie Billy Bragg thought that the Rupert Murdoch-owned MySpace website used suspicious language in their terms and conditions for posting songs, so he yanked all of his material from his page and launched a loud campaign encouraging other MySpacers to do the same.
Bragg argued that they were seeking to obtain full control over any songs on the site. MySpace responded quickly: "Because the legalese has caused some confusion, we are at work clarifying it...Putting music on MySpace does not give us the right to sell it -- the musicians own their content and can do with it as they wish."
Bragg has never been bashful, bless him. Meanwhile, there's plenty of Bragg in the marketplace. He received the box set treatment earlier this year, when Yep Roc released the 115-track Volume 1, covering the early part of his career.
Courtesy of: Folktrax

MUSIC WAREHOUSE
Live intimate acoustic sessions
MUSIC WAREHOUSE
For those who are unfamiliar with Music Warehouse, head straight for the Barossa Arts & Convention Centre on Magnolia Road, Tanunda (on the Faith Secondary School campus). Once there, the Music Warehouse can be found in the centre's magically transformed - Small Theatre.

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The Planet searches out good, heartfelt, inspiring music from around the world.
The Music Show
music, interviews and information about the latest developments in music.


Web Radio at http://www.twangtownusa.com/